ARTS

Sound and vision from the past, present and future

The sensual world of Sarah Hall

The sensual world of Sarah Hall

by Anne Garvey

"You have to know the origins of the Lake District... a place of radical ideas"

“Walking in Memphis” all around Soho

“Walking in Memphis” all around Soho

by Corinna Tomrley

When Corinna Tomrley of the Ethel Mermaids arts and events partnership moved to London she found herself stalked by one particular Cher song

Review: <em>Familiar</em> by J. Robert Lennon

Review: Familiar by J. Robert Lennon

by Neil D.A. Stewart

"Sad, strange, moving, deeply weird… I’m calling it now: there won’t be a better English-language novel published this year"

Review: <em>Floating City</em> by Sudhir Venkatesh

Review: Floating City by Sudhir Venkatesh

by Neil D.A. Stewart

“Wasn’t it possible that the whole vast global city was actually knit together by the invisible threads of the underground economy?”

Universal music

Universal music

by Neil D.A. Stewart

From Björk's Debut to Biophilia, a two decade Icelandic art adventure

Property of a Gentleman

Property of a Gentleman

by Pippa Brooks

<em>Trainspotting</em> in translation

Trainspotting in translation

by Neil D.A. Stewart

20 years on, how does Irvine Welsh's quintessentially Scottish masterpiece read… in French?

<em>Kneeling and Screaming</em> | Adam Neate

Kneeling and Screaming | Adam Neate

by Pippa Brooks

Adam Neate is a self-taught British artist who began by leaving his paintings, on cardboard, on the streets of London and now has work in collections in 28 countries around the world

Review: <em>The Luminaries</em> by Eleanor Catton

Review: The Luminaries by Eleanor Catton

by Neil D.A. Stewart

"Creaky plotting", overlong and a "missed opportunity". Neil Stewart finds much at fault with Eleanor Catton's much hyped Man Booker-longlisted novel

Why I love “Love to Love You Baby”

Why I love “Love to Love You Baby”

by Simon Gage

"I don’t know why I associated all this with New York City – it was recorded in Munich by Italian producer Giorgio Moroder and released before Studio 54 had even got its tax evasion systems in order"